Mouskie
Approved
| Joined: | Sun May 22nd, 2005 |
| Location: | Oregon City, Oregon USA |
| Posts: | 6 |
| Instrument Interest: | |
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Finger-strumming a baritone is not easy, in contrast to the bari's three "rubber band" cousins. And I've heard a few other bari players complain of the same thing.
For many years I struggled with the problem, until finally I resorted to using picks. And I hated every one of them. Because I strum across the last 3 or 4 upper frets (rather than over the upper bout), the picks like to "eat the meat" that lies beneath their pointed snouts, leaving shallow craters in the fretboard. And the racket they created made it sound like I was being accompanied by a snare drummer, with a fistful of steel brushes.
I then started experimenting with different materials (endless list --not going there, so relax). A few worked quite well, but quickly wore themselves ragged. Never-ending battle...
A couple weeks ago I opened a 2-lb can of coffee and set aside the plastic lid. As chance would have it, a plastic uke pick (the thinnest I could ever find-- I believe 38mm) was laying on the kitchen counter. For whatever reason, I idly picked it up and flexed it in my fingers. I then picked up the plastic coffee lid and did the same. My heart skipped a couple beats. I'd already been down the plastics road, with disappointing results. But somehow the coffee can lid felt different between my fingers. Or was it my imagination?
Out with the scissors. I cut a section of plastic and then shaped it so that it resembled a Band-Aid -- about 2-1/2" long, an inch wide, and both ends rounded. I then took an emory board and smoothed the edges. And sat down with one of my baris.
Well...you can anticipate the rest (or I wouldn't be scribbling this happy epistle). Not only has most of the contact noise disappeared, but the perfect flexibility of the plastic allows me to execute the synchopated rhythms that heretofore eluded me.
What's more -- while this plastic bends ("arches" is a better word) a bit during play -- it retains its molecular memory and lays more or less flat again after use. And light as a feather. I've yet to lose my grip during play, and that puzzles me because it feels so slippery. And it's playable at either end. No nicks, no friction fuzz -- looks exactly like it did when I cut it out two weeks ago.
I pinch it between thumb and forefinger about midway down its length, and that gives me a medium tone. I have a couple custom baris with extended fretboards (16 frets to the body), and my new Chase & Sanborn really tickles them bells in the upper reaches.
No more $3-5 picks! No more cut-up credit cards! No more Frankenstein experiments!
I'm assuming all such coffee lids, no matter the brand, conform to the same industry standard. Sure hope so...tho it appears a single lid will last a lifetime.
Other than the fact that the pick looks like a miniature tongue depressor -- it's a winner!
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